Grace

This was really helpful. I play guitar and uke as well as the violin and thought that I would have to give up the singing part when I took up the violin. It is good to see that it is still possible. It is so encouraging. Thanks so much.
Diane

Very cool! Yes, the mix of simple rhythms, chords and arpeggios, and short riffs really works well. And the “Norwegian Wood” interlude is frosting on the cake!

Yeah! Really liked the lesson with a sneak peak into a creative mind. I used to be quite creative with a baseball or soccer ball. This is a learning process for me and I am enjoying it. Thanks for the video‼️

This sounds great Jason, amazing what you can do with one voice, one fiddle and one drone. Thanks for the clear explanations and break down on how you work on each aspect of the song, backing and riffs. Please keep posting these videos, we’re learning so much from you.

Hey, back again because there’s some great call-and-response with a fiddle on Cyndi Lauper’s recording of the Country song, “Begging To You.” Fits perfectly with the “how to play on songs” theme!

Just read your email, “How To Sing And Play Backup” and couldn’t believe that the original “Girls Just Want To Have Fun” was in F#! Checked the official YT video on my keyboard and found it was true. Seems like such an UNidiomatic key for any of the instruments involved. I wonder if it was really done in F or G, then slid with the recording equipment of the mid-80s. Or maybe F# really fit Lauper’s vocal range better! Anyway, it was an intriguing bit of trivia. Thanks, Jason, for all your great lessons!

Absolutely LOVED this lesson! Opened up so many ideas… and yes, Norwegian Wood was an inspiration in this tune! Thanks, Jason!

This was absolutely wonderful! YES! Do more like this! I heard this song in a totally different way that captured my imagination and helped me think about ways to reframe many of the songs I know into something special. Norwegian Wood fit perfectly in there. I loved the Bb chords and key! What a wonderful lesson! Thank you, Jason, for taking the music to another level. ~Cindy

Wow, glad to see I could still login to make a comment. This is definitely resubscribe material. The comments that came in ahead of mine really say it all (especially about the fish) this is the level I feel I need to focus on. Total teaching to it’s best at waking the mind up. I want more for sure.
The simplicity of chords used for singing was a light bulb on hi voltage.
Thank you.
Dan….

This was so interesting Jason, I learnt a lot from you explaining your creative process. The listening, finding the triads for the intro, chord back up rhythms, descending bass line, slides. All the building blocks we can play with to make a song backing. Thanks for another great lesson!

Playing on songs is a high water mark in the Fiddlehed program. This is the best explanation of playing along with a song ever!!!

Wow 🤩

My cousin was allowed to photograph the Amati 1649 and the Strad 1716 in person as part of a project to republish the book about Amati, in 1984. That was picked up by the car company that released an ‘Amati’, around 1991. Just some added trivia. Thanks for your work.

This is a wonderful study. Thank you, Jim Guinn, for writing this and to you Jason for getting this out to us FiddleHeds.

Jim! Hello – happy to be in touch with you again!

I was making some updates to my fiddle blog recently – thinking about you due to the comments and encouragement you left all those years back, and hoping you were still fiddling!

It makes me so happy to read this post and know you’re still at it – and a fascinating post it is, too! Thanks for all the research and work that went into it! Hope all is well!

Wow this was awesome!