Road to Lisdonverna
Learning chunks
I’ve made some “Learning Chunks” to help you learn more easily. These focused exercises contain sheet music, tabs and mp3 snippets to guide you on your fiddle journey. The idea is to start with small musical bits, get good at those, and then put them together into bigger pieces until you have the whole tune. I call it Micro-practice.
Preparation
Warm up with the D major scale and phrases from the tune (once you’ve learned it) using a D drone:
For those of you who read (or want to read), all snippets use this key and time signature:
A part, first quarter
Warm-ups
Key intervals:
D1-A1
↓
D1-A1-1-0-1-2-3
A part, second quarter
Warm-ups
Key intervals:
D2-2-A3-3
Practicing this helps you to transition from the first to the second quarter.
D2-2-A0-0
↓
D2-A0-0-1-0-D0-1-2-1-0
A part, third quarter
D1-A1-1-0-1-2-3
A part, fourth quarter
A2-3-2-1-0-1-D1-1
Interlude
Let’s pause for a moment and pay attention to how we practice.
Creativity, Fun and Adventure ?
Always try to find creative ways to make practicing fun. How can you practice the same thing in different ways? Can you learn to enjoy the sound? Can you even learn to enjoy the struggle?
If you explore different options for playing the same thing, then you will be able to enjoy practicing that for a longer time. Remember, the brain gets bored easily, but the hands need lots and lots of time to learn things.
B part, first quarter
Warm-ups
Key intervals:
E1-L2
E0-0-A3-3
↓
E0-1-L2-1-0-A3-1-1-2-3
B part, second quarter
A2-0-0-1-2-3-1-1
B part, third quarter
E0-1-L2-1-0-A3-1-1-2-3
B part, fourth quarter
A2-3-2-1-0-1-D1-1
Further Practice
Practice the song at your own pace with this drone track.
Drone in E – No Beat
A3-E0
D major scale
E dorian scale: D1-2-3-A0-1-2-3-E0
D1-A1-1-0-1-2-3
E0-1-L2-1
Connections: Play Road to Lisdonverna in a set with O’Keefe’s Slide.
Other Versions
Fiddle Raga version
In a set
Full Tabs, Audio & Sheet Music
A part
First quarter: D1-A1-1-0-1-2-3
Second quarter: D2-A0-0-1-0-D0-1-2-1-0
Third quarter: D1-A1-1-0-1-2-3
Fourth quarter: A2-3-2-1-0-1-D1-1
B part
First quarter: E0-1-L2-1-0-A3-1-1-2-3
Second quarter: A2-0-0-1-2-3-1-1
Third quarter: E0-1-L2-1-0-A3-1-1-2-3
Fourth quarter: A2-3-2-1-0-1-D1-1
Continue on to Girl I Left Behind Me >>
Return to top of Module 1.8 >>
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I would love to see the slur patterns people use for this song. I know it’s personal preference but as a beginner it really helps me to see it. I am a note reader by the way. I tried some slur patterns but I think it could be improved. I also like to have bowing marked as it helps me learn the tune too.
Hi Kathi, great suggestions, Thank you 👍🏿 I’ll take note of this to consider adding into the content, and will let you know if we do.
As I look at this song, I tend to slur two notes together (quarter and 8th note), I give the dotted quarter notes their own bow, and I slur the triplets into one bow. Summing it up, mainly using 1 up bow and 1 down bow in each bar/measure. I notice I like to slur the triplets together with a down bow (starting tune with up bow to facilitate this). Once I learnt this song well and started speeding it up, these bowing and slurring patterns happened fairly naturally, to help the ease of playing.
I’d love to hear what you and others try/prefer, always good to experiment various bowing ways once we have the song dialed.
This is a great topic to go into more detail with together. 🙂
I have played this tune so many times now I have it memorized. Now that I have it memorized, I find that I’m having trouble playing it to a metronome beat. Tried it fast and slow, and really find this tune challenging to stay with the beat, and I’m not sure why.
Thanks for sharing your experience, David. What a great challenge to embrace 🙂
When I check the tune out with a metronome, I work with 2 metronome beats per bar. I emphasize the notes played on beat 1 and 4 (within 6 beats per bar), and match those with the metronome beats. I’ve found 60bpm is a good pace when using 2 beats in a bar, could start slower and work up to that.
Another fun thing to work with is setting the metronome at a higher speed, around 160bpm and having metronome tick for each of the 6 beats in a bar.
I also like to try both these methods without a metronome, tapping my foot to 2 beats in a bar, then tapping all 6 beats.
Be great to hear how your experience goes.
Great lesson. Love this tune. Thanks Jason
Love this lesson, saving my money for an annual subscription before I’m 60. Dang, my hands are tired in a great way. Thank you Jason for the free FiddleHed
Btw, as quick follow-up, the lowered 6th degree in “God Rest Ye, Merry Gentlemen” puts it in Aeolian mode, if I recall my modes correctly.
I was just about to start this lesson, but read the past comments first. MaryReid’s comment from Nov 2020 struck me, so I picked up my fiddle, and picked out “God Rest Ye, Merry Gentlemen” without much trouble, thanks to the rigorous ear-training I got as a Music major 50 years ago. But I’d never have thought of trying it with her comment, so thank you, Mary Reid! 🙂
Good lesson. Good tune. I’ll be practicing
So following Jason’s advice about improvising on a scale I played around with the E dorian scale. Just making up a tune as I went alone. Then I realized it was very close to the tune God rest ye Merry gentlemen, The Christmas Carol. So then I was able to pick out the whole tune for God rest you Merry gentlemen. I’ve been trying to train my ear more and I think this is a result of that. I’m so super excited.
Mary