The ability to read sheet music can help you to learn and play the tunes that you love.

 


Do you want to read sheet music?

“Yes, but last time I tried, it didn’t make sense. I was totally frustrated and went back to just playing by ear.”

A lot of fiddlers are intimidated by note-reading. It doesn’t seem worth the effort. They look at sheet music and see something like this:

 

And then feel like this:


A natural way to learn note-reading

I get it. A lot of fiddle books and violin methods briefly tell you the rules in the first two pages of a book. Then you’re thrown into the deep end of the pool. You’re expected to magically be able to read the notes after this quick brief instruction.

I created the Note-Reading For Fiddlers course to help you learn to read sheet music in the simplest way possible. You don’t need to learn a bunch of terminology. You’ll rely on the brain’s natural ability to read patterns. I talk more about this below and in many of the lessons in the course.

Here’s an overview lesson of what you’ll learn:


Two ways to use these lessons

You can learn to read as you work through the main course:

 

Or, you can work through these lessons using the outlines below:

Further sight-reading practice

If you want further practice, I suggest you look through the early modules or the course. Use simple, familiar tunes to practice sight-reading, audiation and writing sheet music. Some suggestions:

Here are some more intermediate level tunes that are good sight-reading practice because they have a lot of repetition:


Intuitive Note-reading

  1. Learn to play 
  2. Learn to read what you’ve already learned to play
  3. Learn rules and theory once you’re able to read

For example, you could practice your reading skills with Kerry Polka (A Part, First Quarter). Learn each part using the tabs and play-along track. Once you have it, then look at the sheet music snippet as you play.

Intervals

D0-0-1-1

A1-1-D0-0

First quarter: A1-D0-1-0-A1-D0-1-0

You will be able to read sheet music if you learn in small steps.


Note-Reading Strategies

  • Intuitive Note-Reading
  • Micro-practice
  • Finding patterns
  • Singing and audiation
  • Consistent daily practice

Tips

  • Mix note-reading in with the practice of other things (Interleaving)
  • Start by reading easy or familiar tunes
  • Learn from sheet music with audio that exactly matches
  • Use a pencil to mark up sheet music
  • Write what you read
  • Manage your emotions (doubt and frustration) by adopting a Growth Mindset
  • Learn to let go of reading and just play 

In this course, you’ll learn how to use these strategies. You’ll also practice note-reading with progressive exercises.

In addition to these specific note-reading exercises, you can use any of the LearningChunks™ to practice note-reading.


“Do I really even need to be able to read sheet music?” 

Short answer: It’s not absolutely necessary. Some of the most gifted and influential musicians never learned to read….Tommy Jarrell, Robert Johnson and Mozart (on second thought, I think this guy could read a bit).

Learning to read can accelerate your learning. This is especially true if you can play the same tune for memory. The note-reading skill allows you to form better mental models of the tune. This will help you to remember it, see repeating patterns and make connections.

Note-Reading can improve your practice. As you’ll learn in the course, if you cultivate the note-reading skill, it will allow you to more easily flag difficult parts. It will also allow you to add your own slur markings.

Learning to read music can open new doors. It will allow you to learn from books or sheet music downloaded from the internet. The note-reading skill can also open up new opportunities that you may enjoy: New tunes, new styles, and new experiences, like playing in bands or a community orchestra.  

 

9 responses to “Note-Reading For Fiddlers

  1. I noticed this when seeing tab above the sheet music, maybe it will help those trying to go from tab to notes by giving them a little hint.

    If you look at the lines the notes are written on and then think of the finger numbers in tab, when a note sits between two lines then that note is played with 0-2-4 finger. I think of it as even, not mathmatical but who cares. If the note sits with a line running through it, one line right smack across it, it is played with finger 1 or 3. It’s odd, just like me. Amazing.

    Just think, all those notes, so many it’s daunting. But if a line goes through them it’s only gonna be f1 or f3. For me, it tamed the visual freeze from seeing sooooo much I don’t know. If, in just trying to familiarize yourself, you look at a piece more advanced, circle the “odd” notes. In all that confusing squiggle, hahahahaha! Only finger 1 or 3. Out of 10 fingers, only two possibles.

    I’m sure there are exceptions somewhere but I’m not advanced enough, YET, to find them. Once I saw this little oddity, it pulled out of overload and reinforced this- right now, one finger at a time.
    I know it’s simplistic but it helped me click.

  2. Looking forward to diving into this session! I’m a pretty strong sight-reader, and it’s been both a blessing and a curse. It affords me the opportunity to learn new tunes, but on the flip side, I’ve become to use it as a crutch. If I can’t figure out a tune by ear, I fall back to the sheet music to help me out. It may be my Achilles heel to memorizing tunes. Thanks!

  3. Interesting reading the comments above. I started learning just on 3 years ago, learning by ear, but am now working on learning how to read music because the tunes are starting to get jumbled in my head.

    I’m ok once I have the first few notes and the rhythm of the ones I’ve learned, but sometimes 2 will get mixed together in my head, especially if they are a similar beat, start on the same note, and/or I learned them around the same time. I’m hoping that learning to read will enable me to refresh my memory when I go to play something I haven’t played for a while so I can get started without muddling things up.

    Something others might find useful; I’ve found Musescore quite handy as I can either type the notes in, or import the sheet music, then play along while watching where I’m up to. They also have quite a bit of sheet music already there. You can slow the speed while learning and set it to loop sections like Jason does when teaching. It’s free software.

  4. I’m starting to get to the stage (7 months in) that I find I would like to start reading the notes on the page as well as the tab version, but I don’t want to halt my progress with playing. Should I wait a little longer before I start trying to get to grips with the notes, or should I dive in and risk stepping back a stage or two?

    1. Agreed! I learned to sight read as a kid – but haven’t played in 30 + years.
      Now that I’m diving in – I’m way to dependent on sheet music to help me remember tunes. Great feedback!

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